Theodore Prescott in his studioTheodore Prescott is a sculptor and writer who lives and works near Harrisburg PA. Prescott received a B.A. in Art from The Colorado College, and an M.F.A. from the Rinehart School of Sculpture at MICA. He has exhibited in the United States and Western Europe, completed several public commissions, and has work in public and private collections.In 1980 Prescott began the art major at Messiah College in Grantham, PA. By the end of his tenure at the school the program had grown to 125 students in three majors, with 7 full time and 3 part time faculty. He chaired the art program for a decade, and was the recipient of two successive 5 year terms as a Distinguished Professor of Art. He is currently an Emeritus Professor of Art at the college.Prescott was instrumental in founding the national organization CIVA (Christians in the Visual Arts), served as its president for two terms, and edited its triennial publication for more than a decade. His articles on art have appeared in several publications, including American Arts Quarterly, Image, and The New Criterion. He has edited one book on contemporary figurative art, and written three catalog essays for solo exhibitions by contemporary artists.Prescott’s sculpture is characterized by an interest in material substances, and their poetic and associative nature. He is versatile in the use of traditional sculptural materials like stone, wood, and metals, but also employs unconventional materials like coal, honey, and salt. The forms of his work are related to modernist sculpture, but his subject matter often draws on the beliefs and ideas found in the Christian tradition.


  • Donohoe, Victoria “Memories are on Display at ‘Art of the State’”, Philadelphia Inquirer, July 9, 2010
  • Johnson, Ken, “New Artists Who Are Motivated by Christianity,” New York Times, August 19, 2005 (a review of MOBIA show)
  • Pongrancz, Patricia and Roosa, Wayne, The Next Generation: Contemporary Expressions of Faith, Grand Rapids, MI, William B. Eerdmans Publishing, 2005
  • Anderson, Cameron and Bowden, Sandra, Faith and Vision, Baltimore, MD, Square Halo, 2005
  • “The Good, the True, and the Beautiful,” World Magazine, July 7, 2001
  • “Sculptor Reworks Symbols of Religion,” St. Louis Post-Dispatch, May 21, 2000
  • Susquehanna Art Museum, Light and Sound, catalog to accompany exhibition, 1996
  • Edinger, Kristina, “Vatican Selects Professor’s Work,” Harrisburg Patriot-News, September 9, 1995
  • Veith, Gene, State of the Arts, Wheaton, IL, Crossway Books, 1991
  • “The Move of the Decade,” Regardie’s magazine, April 1990
  • “Keepers of the Light,” (about artists use of neon), Apprise magazine, January, 1988
  • “Crucifying Machine,” The Arts Column, Christianity Today, November 5, 1987
  • Ciebiera, Carol, “Art Goes up in Lights,” Lancaster-York Sunday News, March 27, 1983
  • Chaplik, Jon, “Neon Lights Illuminate Lisburn Artists Work,” Harrisburg Evening News, August 12, 1981
  • Proctor, Roy, “Neon Light, Ink Sketches Draw Eye,” Art and Life Column, Richmond News Leader, June 8, 1979
  • White, Pam, “Freedom for Art was Found with Christianity by Couple,” Richmond News Leader, June 8, 1979
  • Danese, Renato, New Sculpture, Baltimore, Washington, Richmond, catalog for an exhibition at the Corcoran Gallery of Art, 1970
  • My work is featured in a Canadian film “Neon, An Electric Memoir.” Other artists include Chryssa, Steven Antonakis, Paul Siede, and Michael Hayden. It was nationally aired on PBS in November of 1985, and has been rebroadcast since then.

Selected Exhibitions

“The Dadian at 25”, Dadian Gallery, Wesley Theological Seminary, Washington DC (group invitational)
Winter Group Exhibit, Whitestone Gallery, Philadelphia, PA (group invitational)
“Art of the State”, State Museum, Harrisburgh, PA (juried group)
“Inscape”, Phillips Museum of Art, Franklin and Marshall College, Lancaster, PA (one person invitational)
“CIVA Florence Portfolio” (Presentation Case) Museum of Biblical Art, New York, NY
“Celebrate DOSHI” Susquehanna Museum of Art, Harrisburg, PA
“Homage to a Mentor” memorial exhibit for Salvatore Scarpitta, MICA, Baltimore, MD (invitational)
“Theodore Prescott: The Reconstituted Cross,” Wesley Theological Seminary, Washington, DC (one person invitational)
“Prescott and Prescott: Image and Substance,” Brauer Museum, Valparaiso University, Valparaiso, IN (invitational)
“The Next Generation,” Museum of Biblical Art, New York City, NY (national juried)
“Artists Talk,” Lyme Academy College of Fine Arts, Old Lyme, CT (group invitational)
Elizabethtown College, Elizabethtown, PA (invitational)
“Abstraction: The Power of Memory,” (juried group traveling show)
Roberts Wesleyan College, Rochester, NY (two person invitational)
Schaeffer Institute, Covenant Theological Seminary (one person invitational)
Evangel University, Springfield, MO (one person invitational)
CIVA Conference, Concordia University-Wisconsin, Mequon, WI (national juried)
Barrows Rotunda Exhibition Space, Dartmouth College, Hanover, NH (one person invitational)
“Philadelphia Sculptors” – Washington Square, Washington, DC (juried)
“The Other Side of the River” Penn State, Harrisburg, PA (group invitational)
Art and Religion, Doshi Center for Contemporary Art, Harrisburg, PA (group invitational)
“Nature and Grace” Messiah College, Grantham, PA (one person)
Rinehart 100 – Decker Gallery, Maryland Institute of Art, Baltimore, MD (invitational)
Art of the State, William Penn Museum, Harrisburg, PA (juried)
Light and Sound; Art and Technology, Susquehanna Art Museum, Harrisburg, PA (group invitational)
Wheaton College, Wheaton, IL (two person invitational)
“Remanifesting the Sacred.” Bade Museum, Pacific School of Religion, Berkeley, CA (national juried)
“Searching for the Hidden.” C.S. Lewis Summer Institute, Cambridge, England (international juried)
Helen Figge Moss Memorial Exhibition, The Stony Brook School, Stony Brook, NY (one person)
CIVA Conference, Messiah College, Grantham, PA (national juried)
Gordon College, Wenham, MA (one person)
Messiah College, Grantham, PA (one person)
Sacred Arts IX, Billy Graham Center Museum, Wheaton, IL (national juried)
Sacred Arts X, Billy Graham Center Museum, Wheaton, IL (national juried)
“Incarnation.” Spoelhof College Center Gallery, Calvin College, Grand Rapids, MI (two person)
“Christian Imagery in Contemporary Art,” The Rice Gallery of the Albany Institute of History and Art (juried group traveling through 1989)
Group Invitational, Colorado Springs Fine Art Center, Colorado Springs, CO
CIVA Conference, Foundry Gallery, Washington, DC (national juried)
Greenville College, Greenville, IL (one person)
Gettysburg College, Gettysburg, PA (one person)
Messiah College (one person)
Pennsylvania Artist Educators Show (juried)
CIVA Conference, Calvin College (national juried)
Community Gallery, Lancaster, PA (one person)
Jersey City State College, Jersey City, NJ (one person)
Doshi Center for Contemporary Art, Harrisburg, PA (two persons)
Scott-McKennis Gallery, Richmond, VA (two persons)
Patmos Gallery, Toronto, Canada (two persons)
Finger Lakes Regional, Memorial Gallery, Rochester, NY (juried)
Rinehart School 75th Anniversary Show, Maryland Institute, Baltimore, MD (invitational)
New Sculpture: Baltimore, Washington, Richmond, Corcoran Gallery of Art, Washington, DC (invitational)


Exterior sculpture for Biola University
Interior sculpture for High Worship and Performing Arts Center, Messiah College
Two interior pieces for the restaurant and lounge, in the Crowne Plaza Hotel at O’Hare Airport, Chicago, IL
Messiah College, Sawatsky Gift
Public Fountain, New Harmony, IN for Jane Owen and the Blaffer Trust
1998, 1999
Interior and Exterior Sculpture for Coolbaugh Hall, Colorado School of Mines, Golden Colorado in collaboration with Peter Richards
1996, 1997
Columbarium Sculpture, Trinity Lutheran Church, Camp Hill, PA
Memorial Sculpture, United Church of Christ, Walworth, WI
Edition of 15 sculptural boxes for a portfolio of prints
Crucifix, Chapel of the Good Samaritan Lutheran Home, Elsmere, NY
1991, 1992
Sculptural environment for Plaza of Lancaster Mennonite High School, Fine Arts Building, Lancaster, PA
1989, 1990
Interior mixed media sculpture for new headquarters of United States Pharmacopeial Convention, Rockville, MD


  • Dr. Gene B. Chase, Grantham, PA
  • Dr. Karen Mulder, Charlottesville, VA
  • Dr. and Mrs. Wesley Vander Ark, Camp Hill, PA
  • Kieth Strimple, McQueeny, TX
  • Walworth UCC Church, Walworth WI, Cincinnati Museum of Art
  • Evangel University, Springfield, MO
  • Nicholas and Ellen Hughes, Camp Hill, PA
  • Wayne and Valeria Forte, Laguna Niguel, CA
  • Armand Hammer Museum of Art, UCLA
  • Vatican Museum of Contemporary Religious Art
  • Dr. Os Guiness, Arlington, VA
  • Rev. Robert Collins, Harrisburg, PA
  • Hans and JoAnn van Seventer, Groningen, Netherlands
  • Dr. Jake Thiessen, Camp Hill, PA
  • Dr. Robert B. Ives, Dillsburg, PA
  • Cromer Group, Washington, DC
  • Martin and Patricia Murray, Lewisberry, PA
  • Collegedale Seventh Day Adventist Church, Collegedale, TN
  • Messiah College, Grantham, PA
  • Roberts Wesleyan College, Rochester, NY


American Arts Quarterly

  • TRAC: “A Resurgence of Realism?”, Volume 31, #3, Summer 2014, pp 50-55
  • “In Plain Sight: The Art of Lois Dodd”, Volume 28, #4, Fall 2011, pp 42-48
  • “Aesthetic of Doubt,” Volume 27, #3, Summer 2010, pp. 19-26
  • Review essay of “Monuments; America’s History in Art and Memory”, by Judith Dupre, Volume 25, Number 3, Summer 2008, pp. 53-56
  • “Big Aesthetic River,” Volume 24, #4, Fall 2007, pp. 17-23
  • “Big Strokes: The Authentic Picture,” Volume 23: #2, Spring 2006, pp. 33-42
  • “Fairfield Porter, Classic Modernist,” Volume 22: #1, Winter 2005, pp. 23-30
  • “Beauty’s Embrace: Recent Christian Contributions to the Discussion of Her Character,” Vol. 20: #1, Winter 2003, pp. 9-16

Books and Culture

  • “The Strange Place of Religion in Contemporary Art: A Symposium” (A feature article with four other contributors), May/June 2009, Volume 15, number 3, pp 20-25.
  • “The Critic Looks Inward,” a review of Robert Hughe’s Things I Didn’t Know, April 16, 2007, http://www.christianitytoday.com/books/features/bookwk/070416.html


  • Christians in Visual Arts triannual publication. Several articles throughout the 1980’s. Editor of publication (cir.C. 6000), 1993-1999

Christian Scholars Review

  • Review of At Eternity’s Gate by Kathleen Powers Erickson. Volume XXIX: 3, Spring 2000, pp. 631-633.
  • Review of Pledges of Jubilee: Essays on the Arts and Culture in Honor of Calvin G. Seerveld, Volume XXVII:1, Fall 1997, pp. 135-137.

The Cresset: A Review of Literature, Art and Public Affairs

  • “Nature and Nature’s God in Late Twentieth-Century’s American Art,” Vol. LXI, #5, May 1998

Image: A Journal of the Arts and Religion

  • “Into the Art World”, Summer 2014, Number 81
  • “Troubling the Lexicon of Art and Faith”, Fall 2012, Number 75
  • “Desire and Longing: Image Artists after Twenty Years,” Winter 2008-2009, Number 60
  • “Spare Holy Places,” Spring 2006, number 49, pp. 17-23.
  • “The End of My Modernism,” Fall 2003, Number 40
  • “Living in the Borderlands,” Spring 2002, Number 34
  • “Tobi Kahn: A Profile,” Winter 2001, Number 33
  • “Stalking the Miraculous in the Wilds of Art,” Winter/Spring 1999, Number 22
  • “Wayne Forte: A Profile,” Spring 1996, Number 13
  • “We See Jesus?” an article on popular images of Jesus, Summer 1995, Number 10
  • “Edward Knippers: A Profile,” Spring 1993, Number 3

Mars Hill Audio

  • Discussion of the return of Beauty in art, September/October 2002
  • Discussion of the work of the painter Thomas Kincade, May/June 2001
  • Discussion of why artists have been attracted to abstraction, March/April 1996
  • Review of 1995 Whitney Biennial, Bruce Nauman retrospective at MOMA, and design exhibit “Mutant Materials,” May/June 1995
  • Discussion of Contemporary Manifestations of Surrealism, July/August 1994
  • Discussion of the British Realist Painter Lucien Freud, January/February 1994
  • Discussion of Nudity in Art and Advertising, November/December 1993
  • Discussion of the English Painter Francis Bacon, May 1992

The New Criterion

  • “An Evening at the University of the Arts” for Notebook Section, February, 1988
  • “Professor Kuspit comes to Rural Pennsylvania” for Notebook Section, June 1987


  • Like A Prayer: A Jewish and Christian Presence in Contemporary Art.
    Selected multiple works by 28 artists from throughout the United States for an exhibition at the Tryon Center for Visual Art, Charlotte, NC. A catalog accompanied the exhibit.